ArchivesSpace at the University of Iowa

Internet: George Andrew Flanagan (1877-1964), a retired dentist when he wrote this book, wqs married to Katharine Wave Alle (1869-) a physician. They had one daughter, Laurene Alle Flanagan (1905-)who became a nurse and never married. A photograph of George Andrew Flanagan was obtained from Ancestry.com.These books are stored in a box with those of Julius Nelson. -- Source of annotation: Marvin or Ruth Sackner.

Internet: George Andrew Flanagan (1877-1964), a retired dentist when he wrote this book, wqs married to Katharine Wave Alle (1869-) a physician. They had one daughter, Laurene Alle Flanagan (1905-)who became a nurse and never married. A photograph of George Andrew Flanagan was obtained from Ancestry.com. -- Source of annotation: Marvin or Ruth Sackner.

With exception of the 1st page that curry has written in red ink, the remaining pages are carbon copies of the letter sent to David UU. curry wrote the Sackners that he retained a photocopy of the carbon copy for his own files. The letter deals mostly with UU's typewriter poetry book, High C. curry sketches the pages for the book after the poems by UU. He annotates and makes comments for each page. In the last 1/3 of the letter, he writes to UU on progress of projects in which both are involved. -- Source of annotation: Marvin or Ruth Sackner.

The folder contains the sequence of revisions for composing the poem. The poem deals with David Daniels perception of four children who are represented by silhouette shapes of their bodies. Their photographs are depicted on a page of this archive. -- Source of annotation: Marvin or Ruth Sackner.

The folder contains the sequence of revisions for composing the poem. The poem deals with NYC and consists of short rhyming lines in the shape of a cylinder being turned on a lathe with a lathe cutting tool. -- Source of annotation: Marvin or Ruth Sackner.

The folder contains the sequence of revisions for composing the poem. -- Source of annotation: Marvin or Ruth Sackner.

The title of this work was formed from red underline marks arranged in constructivistic typography (slash/dash typewriter font). The dedication was created with red period marks arranged in calligraphic typography. The image was composed with blue underline marks and chains of ampersands. -- Source of annotation: Marvin or Ruth Sackner.